39

RICHMOND BARTHÉ (1901 - 1989)
The Awakening of Africa (Africa Awakening).

Cast bronze with a dark brown patina, 1959. Approximately 381x558x203 mm; 15x28x8 inches. Signed "BARTHÉ" on the top of bronze base. Cast by the Modern Art Foundry, New York, with their stamp, "MODERN ART/FDRY NY", along the base.

Provenance: the artist, Pasadena; private collection, Los Angeles.

Exhibited: Two Centuries of Black American Art, Los Angeles County Museum of Art, September 30 - November 21, 1976, (traveled through 1977, to the High Museum of Art, Atlanta, the Museum of Fine Arts, Dallas, and the Brooklyn Museum of Art).

We have located only two other casts of this scarce bronze - one is in the collection of the Museum of Art, University of Southern Mississippi, Hattiesburg, and another cast was sold at Christie's on September 25, 2012. The cast at University of Southern Mississippi is illustrated in Margaret Rose Vendryes, Barthé: A Life in Sculpture, Mississippi, 2008, pp. 168-70, fig. 5.24. A cast is also illustrated in Samella Lewis, Barthé: His Life in Art, p. 111.

The Awakening of Africa represents Richmond Barthé's many great achievements in figure sculpture including his masterful sense of anatomy and movement, and his pursuit of a male nude ideal. Barthé made this large and significant bronze figure in Jamaica where he lived from 1949 to 1969. As Margaret Vendyres notes, this powerful, rising figure has a greater presence than its physical size of less than three feet. Its title reflects both the artist's early interest in Alain Locke's philosophy of The New Negro, the turning to Africa for cultural models, and in the contemporary political and social movements for independence in Africa and the Caribbean in the late 1950s. According to Samella Lewis, Barthé had originally hoped this bronze would be included in the World Festival of Negro Arts in Dakar, Senegal in 1965. This cast was then featured in the landmark exhibition Two Centuries of Black American Art at the Los Angeles County Art Museum in 1976 - one of four works included by the artist. Barthé had moved to Pasadena the year before, and was able to share in the widespread acclaim for the exhibition. Lewis pp. 110-111; Vendryes pp. 168-170.


Accepted Forms of Payment:

Money Order / Cashiers Check, Personal Check, Wire Transfer

Shipping

Upon request, Swann will facilitate the shipping of purchases to out-of-town buyers at an additional charge for packing, shipping and insurance, but will not be responsible for any loss, damage or delay resulting from the packing, handling and shipping thereof. Unless specific instructions are received, Swann is the sole judge of the method to be used for shipment. Packing and shipping costs will be noted on the invoice mailed to successful bidders after the sale, and are based on the actual costs involved. Be advised that a full commercial invoice must accompany any purchase shipped outside the US.

October 5, 2017 2:30 PM EDT
New York, NY, US

Swann Auction Galleries

You agree to pay a buyer's premium of up to 30% and any applicable taxes and shipping.

View full terms and conditions

Bid Increments
From: To: Increments:
$0 $149 $10
$150 $499 $25
$500 $999 $50
$1,000 $1,999 $100
$2,000 $5,999 $200
$6,000 $9,999 $500
$10,000 $19,999 $1,000
$20,000 $49,999 $2,000
$50,000 $99,999 $5,000
$100,000 $199,999 $10,000
$200,000 $499,999 $20,000
$500,000 + $50,000